Thus, Mosque (apud VIANA, 2000) understands that through the letters of the songs if it becomes possible to desvelar a social universe all built through imaginary the collective one of the society, that best assists in them to understand who is in the conjuncture of our contemporaneidade and our recent past of that we were participadores. In this context, we consider here a geographic analysis that privileges the reading of the daily one that the composers make and as we can bring this look, this perception, for our lessons. For in such a way, Saints (1996) cited by Viana (2000), it unmasks that through the agreement of this geographic content of the daily one we can, perhaps, to cooperate to the necessary agreement of this relation between space and social movements, distinguishing an invitation to the action. Beyond what we displayed so far, Viana (2000) still suggests in them that each professor must choose the letters of musics from the reality of its school and of the profile of its group, therefore, the letters in provides generating subjects to them that authorize the textualizao from codes that the pupils already possess of its daily experiences. 3. Chosen content to be worked in set with music 3,1 Movements of the Brazilian population (migrations) In the agreement of Moreira (2004), the movements or displacements of a population of a place for another one, are perceived as migrations. For this author, the people who carry through these movements are called migrantes. Thus, for it, the migrations are very varied and present two aspects, the exit of a place (emigration) and the entrance in another one (immigration). This exactly author still understands that the migrations can occur inside of one same country (internal migration) or of a country for another one (external or international migration). In this manner, this writer understands that the migrations can be forced or spontaneous, however, of general form, the people if transfer voluntarily of a place to another one, that is, of spontaneous form.

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